CHAT ARCHIVE
- 8-21-99, Beginnings
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ICQ Chat Save
file
Started on Sun Aug 22 01:08:23 1999
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<shorty103> Hello
<shorty103> I know your pulling everyone in,
but can I share something
with you that I wrote this morning.
<Casey> Sure
<shorty103> I wish the people would learn to
love, not only themselves,
but each other. I know there is so much destruction
in this world
without the help of man. Somewhere in the middle of
all this, is a young
man, and a young woman who are just beginning their
flight into life.
One has mastered the art of survival. The other will
soon learn. Two
separate journeys. Two unsuspecting players. Drawn
together to learn one
of life's many tests.
<shorty103> Thanks Casey for letting me share
this
<shorty103> any thoughts?
<Casey> "their flight into life" has
interesting connotations. It
sounds either like they're running away, or brings up
the image of baby
birds getting ready to fly.
<shorty103> I wrote it this morning, just off
the top of my head, I
don't if it will go anywhere, but it may fit in
somewhere
<shorty103> well, it's the first draft on
it
<Casey> How do you "learn
tests"? Usually, you learn a lesson.
<shorty103> I just wrote what came to mind, but
I can fix it up later
<Casey> Spinner will be joining us after we've
completed the grammar
lesson, which tonight is about punctuation of quoted
material.
<Casey> We all use dialogue, so I thought this
was a useful grammar
lesson.
<Casey> The general rule is that the ending
punctuation comes inside the
quotation marks.
<Casey> "I don't want to go."
<Casey> "No!"
<Casey> When something like He said comes
before the quoted material,
it's set off by a comma.
<Casey> He said, "We should all go."
<Casey> When He said follows the quote, the
period is replaced by a
comma: "We can all go," he said.
<shorty103> Oh, I haven't done that
before! interesting twist
<Casey> If the quoted material is a question or
exclamation, that is the
punctuation: "No!" he shouted.
<Casey> When the dialogue tag comes in the
middle, it gets a bit more
complicated.
<kissfan> this is where I run into
probs
<Casey> If you're simply interrupting the flow
of the quoted sentence,
set the speaker off with commas.
<Casey> "There is no use in working,"
he complained, "when it only makes
me sleepy."
<shorty103> " like I said!" she began
to explain," you do it like this,
not like that!"
<Casey> Yours would have to be, "Like I
said," she began to explain,
"you do it like this, not like that!"
<Casey> An exclamation point ends the sentence.
<shorty103> okay, I do see the
difference
<Casey> "You heard me!" she
shouted. "You do it like this, not
like
that!" is another way of handling it.
<shorty103> understood
<Casey> Notice the period after
"shouted"?
<shorty103> yes
<Casey> They are actually 2 different
sentences.
<shorty103> okay
<kissfan> I got it now I see I have punctuation
mistakes to fix LOL
<Casey> Punctuation will also tell the reader
which half of the quoted
material the dialogue tag belongs to.
<Casey> Anyone care to attach the tag to the
second half of our sample
sentence rather than the first half?
<Casey> "Didn't you hear me?"
He explained again, "You do it like this,
not like that."
<shorty103> " Yes! " she shouted
back.
<Casey> By capitalizing He, it begins the next
sentence which contains
the "You do it . . ." quote.
<Casey> lol, Rose!
<kissfan> HEHEE
<shorty103> sorry, I couldn't help
myself
<Casey> You used perfect punctuation!
<Casey> To use a quote within a quote, you
begin with " then enclose
the inside quotation in single '
<shorty103> grammar for me is putting in the
words that are suppose to
be there, not a hit and miss!
<Casey> Note the ending punctuation in the
following example.
<Casey> She turned and said, "Remember
Mom's advice, 'When other people
run, you walk.'"
<Casey> That's a period, ', then "
<shorty103> yes, I see where your going on
this, that's why Chip turned
and ran!
<Casey> he he. I suspect that Chip knows
this.
<shorty103> same here, but it was a good laugh
why it lasted! LOL
<Chipmonk> I did not run! I walked slowly
carefully stepping over dogs.
<kissfan> HEHEE
<Casey> Indirect quotations are not put in
quotation marks.
<Casey> He told me not to go. Is an
example.
<Chipmonk> My dog said that I had better not
step on him.
<kissfan> she told me to set the
table
<Casey> They look so much like rugs, though.
<shorty103> and that why my kitten climbs my
legs so I don't step on him
<Casey> Exactly, Kathy. But you forgot to
capitalize She and end with a
period.
<Chipmonk> No, greyhounds look like TV trays
lying on the floor.
<shorty103> LOLO
<kissfan> HEHEE Ya I know I saw that
after
<Casey> And you did that in a grammar
class! For shame.
<shorty103> I can tell this is going to be an
interesting evening
<kissfan> OOPS sorry HEHEE
<Casey> Anyone have questions?
<Chipmonk> Stand in the corner! Stand in
the corner!
<kissfan> <----runs to corner and
pouts
<kissfan> HEHEE
<Casey> There is one other form I didn't
mention. He yelled "Stop!" and
grabbed the wheel.
<Casey> That's enclosing the quote in
narrative.
<Casey> Poor Kathy has enough work ahead of her
correcting dialogue
punctuation. We should feel sorry for her.
<Chipmonk> Okay, she can come out.
<kissfan> yep about 10 chapters of
it
<Casey> Ouch!
<shorty103> that's a good one! " I
guess somebody saying, " Will she
shut up already and get on with the lesson at hand!
" Casey snaps at
the class.
<Casey> I pulled Spinner in because that's the
end of the grammar lesson
unless there are questions.
<shorty103> No!
<kissfan> actually most of it is just checking
to make sure it is right
<Casey> That's tedious enough.
<kissfan> yep it is
<Casey> Okay, tonight's discussion is about
beginnings.
<Casey> If our beginnings don't work, readers
won't read on to discover
how brilliant our premise is.
<Spinner> In e-pub, if your beginning doesn't
work, they'll go read
someone else's second paragraph
<shorty103> mine is still hidden from sight
from the reader and me! LOL
<Casey> What are some of the admonitions we've
all heard about
beginnings? I know you folks have heard them,
too.
<Chipmonk> Don't start, "It was a dark and
stormy night."
<Spinner> don't start with
description
<Chipmonk> Don't start with a
lecture.
<Casey> It's funny, Chip, but one of the
best-known SF stories around
begins with, Once upon a time . . .
<Chipmonk> Which one?
<Casey> Once upon a time there was a Martian
named Valentine Michael
Smith.
<Casey> Stranger in a Strange Land, by Robert
A. Heinlein, copyright
1961
<Chipmonk> Ah!
<shorty103> should one start in the middle of
action?
<Spinner> I usually do.
<Casey> Yes, beginning in the middle of action
is the place to start.
<shorty103> what if there is no action until
later on in the story?
<Spinner> then you probably won't sell the
story.
<Spinner> sometimes you can do something else,
if it's unusual or
interesting enough.
<Casey> The other way to begin stories is by
establishing mood.
<Spinner> shorty, your description of action
may be too narrow.
<shorty103> okay, but that is what I'm working
on now, trying to find a
good place to start my story, even though, I have
written down over 7000
words, it still needs a good place to
start.
<Casey> You began with the pivotal point for
the protag, Rose: The day
she discovers she's adopted. Everything that
follows is related to that
discovery.
<shorty103> okay
<Casey> Spinner's right.
"Action" doesn't have to be a gun fight.
<shorty103> I see that.
<Spinner> If done right, dialog is a form of
action.
<Spinner> Of course, I have begun stories with
a gunfight.
<Casey> But it does need to be something
significant: a turning point
for the character, usually.
<Chipmonk> It needs to be something that gets
attention and makes the
reader think who what huh?
<shorty103> yes, I've learned that too!
Not trying to be smart, but I
have done so much reading on writing, but some of it
is really sinking
in.
<Spinner> Of course, I've also started one with
a version of 'once upon
a time'.
<kissfan> ya same here Rose
<Spinner> I admit I haven't done any reading on
writing, but I've read
an incredible amount of writing and looked for why it
was good.
<shorty103> yes, a story question for the
reader, that is to make the
reader go further into the book to find the
answer.
<Casey> One of the neatest beginnings I can
recall (I don't have the
book to quote from it directly) is to be found in
Something Wicked This
Way Comes. It combines action with ominous
mood.
<Spinner> Very true.
<Chipmonk> Something about the wind changing
and lightening rods, wasn't
it?
<Casey> A lightning rod salesman coming to town
immediately before a
storm.
<Spinner> Of course with that one, you were
hooked from the title.
<shorty103> yes, I can see that title
Casey
<Casey> Reading is essential for getting a feel
for writing.
<Spinner> Read, read, read and write,write,
write
<Casey> I've learned through my own work that
theory and application are
two entirely different things.
<Casey> I can understand how writing should
work by reading about
writing, but it takes writing and more writing to
figure out how to
apply those theories.
<shorty103> yes, you are right again
Casey
<kissfan> yes that is very true
<shorty103> so with what I've shared at the
beginning of this chat, if
cleaned up it could be a somewhat good
opening
<Chipmonk> Want my favorite beginning of a
story I've read?
<Casey> Yes, Chip.
<Chipmonk> True, nervous, very, very,
dreadfully nervous. But why will
you say that I am mad? A disease that sharpens
my senses, not dulls,
not destroys, but above all, was my sense of hearing
acute. I heard all
things in heaven and earth. I heard many things
in hell.
<Casey> Wow! What a beginning.
<kissfan> WOW
<Chipmonk> Oops. left out a
sentence.
<Chipmonk> Mr. Poe will be upset with
me.
<kissfan> I thought that was Poe
<Casey> Interesting. I was just reading
some of Poe this afternoon.
<Chipmonk> That's Telltale Heart.
<shorty103> was that by Edgar Allan Poe - Tell
- Tale Heart
<Chipmonk> Yes.
<kissfan> I thought I recognized it but it has
been a while since I had
read it
<Chipmonk> A frantic beginning, I'd
say.
<kissfan> ya very true
<Spinner> Back and said "Poe!"
definitely a master of beginnings
<kissfan> yep
<Casey> Someone else have a beginning they'd
like to share?
<Spinner> you've got some from me.
<shorty103> okay, I was just reading it, and
that is why I went and
found out how to spell his name and the name of the
poem
<kissfan> I didn't have time to send mine but I
do have it here
<Casey> That's okay, Kathy. Want to give
yours now, and I'll collect
one of Spinners next?
<kissfan> ok]
<kissfan> walked along the quiet road. He
could hear the roar of the
ocean to his left, the smell of it hitting his
nostrils full force like
the scent of a spring day after a rain. He
stopped to listen briefly to
the rhythm of the waves hitting the shore below,like
an old favorite
song that had no words. He licked his lips
tasting the bitterness of
the sea salt that was caked on his them making him
thirsty. He adjusted
his backpack and reached for his water skin, he
pressed it to his lips
and drank from it like he hadn't had a drink in
days. He looked around
him, there were trees to his right and the rock
cliffs that dropped to
the ocean below on his left, making him feel more
alone in his travels,
but he knew that he must go on.
<shorty103> Casey, I hope you don't get mad at
me, but I still have
completed that assignment you gave me, there
have been lots of things
to do, and I just remembered it just now
<shorty103> Wow! that was great
kissfan
<kissfan> thank you
<Casey> My immediate realization from reading
that, Kathy, is that every
single one of your sentences begins with
"He."
<kissfan> that is one of the things I am going
to change, this is first
draft
<Chipmonk> Yes, you need to vary your sentence
structure.
<Casey> As an exercise, you might try to
rewrite them so some begin
differently.
<Spinner> I noticed that too. yes,
you can drop the He and slightly
rearrange and make it stronger
<Chipmonk> Like the last part, just leave out
"he looked around."
<shorty103> I did notice that, but I didn't say
anything, bad me!
<Chipmonk> Start with "The trees on his
right....
<kissfan> yes I had already noticed that I knew
that I would have to go
back and change it
<Spinner> Like... Trees on his right and cliffs
that dropped to the
ocean below on his left made him feel more alone,
but..
<kissfan> yes I see. That does sound
better
<Casey> One other trick for strengthening this
paragraph is to eliminate
the redundancies.
<Casey> You mentioned the ocean twice:
once in the second sentence and
again later. One single description that gives
us the image of the
waves at the base of the cliff on his left is enough.
<Chipmonk> I think the trees need a lonely
adjective though. I don't
know why the trees would make him feel
alone.
<Spinner> Sometimes you can strengthen and
increase pace by dropping the
articles.
<Chipmonk> There are some sensory discrepancies
too.
<Chipmonk> Quiet road/roar of
ocean.
<kissfan> ok
<Spinner> the sea salt I'm familiar with isn't
bitter, it's sweet.
<Chipmonk> Yes, the sea tastes salty not
bitter.
<Chipmonk> Ocean doesn't smell like
rain.
<kissfan> oops
<Spinner> No, it smells fishy, sometimes dead
fishy
<kissfan> I see what you mean
<Chipmonk> And Spring smells wormy/
<Spinner> yep.
<kissfan> Yep like I said I have a lot of work
to do
<Spinner> you'll get it. You're off to a
good start, despite the
commentary. it's not slow.
<kissfan> I knew there was a ton of mistakes
that needed fixing
<Chipmonk> But I think I see what your working
toward.
<kissfan> cool
<Chipmonk> Lonely, dejected, maybe
desperate.
<Chipmonk> Needing something he hasn't been
able to attain.
<kissfan> yep
<Chipmonk> See? It came through in spite
of the mistakes.
<shorty103> What about; Journ
walked along a sea-side road. The smell
of the salt air woke up his senses.
<Casey> That's telling, not showing,
Rose
<shorty103> okay, I get confused, I'm a master
at that! LOL
<Casey> "The smell of the salt air woke up
his senses" isn't giving us
the feel of his senses being alive, and which senses
are stimulated, and
how.
<kissfan> I know I will get it to sound right
sooner or later LOL
<shorty103> okay, but isn't that what salt air
does, wake up the senses
<Casey> Kathy did that by having him taste the
salt on his lips.
<Casey> And people who live in the midwest and
have never been to an
ocean would not know what you were talking about.
<Casey> Reva turned around. It
wasn't easy. The ledge was narrow with
a crumbling edge and she didn't move well, but she
was too damn mad to
die. The ledge was over the place her ship had
been. Her partner had
been on it. She'd been with their
passenger. The passenger was why her
ship and partner were gone and she was going to get
her back from the
slime who'd grabbed her, but she didn't have much
time. Valady could
not be coerced. She would die first and she was
quite capable of
deciding to get herself killed. She moved
another centimeter. She
didn't count the ones left to the place the crater
sloped and she could
get to the top. She counted the ones she
gained.
<Chipmonk> I like "she was too damn mad to
die."
<Casey> That's my favorite line, too.
<kissfan> ya me too
<Spinner> That's Reva.
<shorty103> sounds like Jim, he says something
like that all the time,
great line.
<Chipmonk> Valady. Is that a
name?
<Spinner> this is from a work in progress
titled Beau Zen, and that
title was rather my introduction to our
Zen.
<Casey> The only preposition that throws me is
"going to get her back. .
.." I don't know who or what
"her" refers to.
<Spinner> yes, valady is a name.
<Spinner> the passenger
<Chipmonk> Yes I was a bit confused on who was
being talked bout, Reva
or Valady.
<Casey> I wasn't sure whether it referred to
the ship, her partner or
the passenger.
<Spinner> Valady is going to get herself killed
and take the nasty bunch
with her the next paragraph, but she leaves a will,
and that's where the
story starts.
<Casey> It's definitely beginning in the center
of action!
<Chipmonk> This reveals a lot about the
character's personality.
<kissfan> It sure is
<Casey> the ones left refers to centimeters?
<Spinner> yep
<Casey> She's definitely not a wimp.
<Casey> Someone else have a beginning they wish
to risk with us
vampires?
<Spinner> the first paragraph is intended to
cause questions. it should
make the reader want to read on.
<Casey> Rose, do you want me to bring down the
one you wrote this
morning for a more in-depth chopping?
<Chipmonk> I do hee hee!
<shorty103> yes
<Casey> Go for it, Chip!
<Chipmonk> Entire first chapter.
<Chipmonk> Uuugh how does this
thing work? Wait
a Oh, I don't
believe this! The computer is typin evrything I
say. Aw Jeez!
<Chipmonk>
<Chipmonk> It even mipronounces stuff! I
can't do this. This is dumb!
I'm sittin here watchin
watching the computer write down
evrything
ev er y thing I'm sayin. I can't do
this. This is just too weird.
<Casey> he he! I recognize that one,
Chip!
<Spinner> LOL. good one,
Chip.
<Casey> Very good.
<shorty103> interesting
<Casey> By his dialect, we get an instant feel
for him.
<Casey> Also, by his interaction and reaction
to the computer, we gain
further information about him as a person.
<shorty103> Casey, when Chip is done, can you
bring that one down, I
know it could be improved
<Casey> Yes, Rose.
<shorty103> thank you
<Chipmonk> The second chapter is him
apologizing because he can't write.
<Casey> I wish the people would learn to love,
not only themselves, but
each other. I know there is so much destruction in
this world without
the help of man. Somewhere in the middle of all this,
is a young man,
and a young woman who are just beginning their flight
into life. One has
mastered the art of survival. The other will soon
learn. Two separate
journeys. Two unsuspecting players. Drawn together to
learn one of
life's many tests.
<shorty103> what do you think of the first
sentence Casey
<Casey> This is for everyone's comment.
<Spinner> first person. author
viewpoint?
<shorty103> I wish people would learn to love
themselves, and each
other.
<Chipmonk> It looks like it switches
viewpoint.
<Casey> The second sentence I'm more curious
about.
<Casey> "so much destruction in this world
without the help of man."
That would refer to nature's destruction. Is
that what you mean?
<shorty103> yes
<Chipmonk> Is man preventing or causing
destruction?
<Spinner> You switch from first person narrator
to third person
omniscient in the middle.
<shorty103> I did!
<shorty103> I didn't even knew I did
that
< Chipmonk> And there is no action
here.
<Casey> These are mostly statements.
<shorty103> good questions, I have to rethink
it over
<Chipmonk> I feel like I'm going to be taught
something.
<Casey> Rather than state, two journeys, two
people drawn together to
learn (a lesson), I would rather simply have their
story begun.
<Spinner> Me too.
<shorty103> yes
<shorty103> I do agree
<Chipmonk> But I want to read an interesting
story, not a lesson.
<shorty103> yes, I agree Chip
<Casey> If there's a moral involved, I would
rather figure out what that
moral is for myself.
<Spinner> this is like Rod Sterling doing a
twilight zone intro with his
own opinion of the state of the world
first.
<kissfan> I was thinking that
<Chipmonk> That should just happen without
telling me I will be taught
something about life.
<shorty103> is that good, or should I change
the whole thing
<Spinner> You should change it.
<shorty103> okay
<shorty103> I wil think about it, and see what
comes of it
<Chipmonk> Not unless you want to end it, but
this is no ordinary,
school, it exists somewhere in the Twilight
Zone.
<Casey> Don't be afraid to be specific, Rose.
<Spinner> Casey, the one that starts the
gavel came down... is an type
of allegory that has a very strong moral.
<shorty103> explain Casey
<Casey> Rose, frequently you make broad
statements. Like your second
sentence here. Don't be afraid to say something
like, "There are enough
earthquakes and tornadoes in the world without man
adding to the
destruction."
<Casey> Personally, I don't have a problem with
stories that have morals
as long as they are subtly woven into the action and
ending. Where I
can finish reading and think, wow, isn't that true?
<Spinner> Mine are a bit more subtle than
that. they're intended to
make a person realize they're doing what was in the
story, just before
they do it, sometime later.
<Chipmonk> Yes, but as you said, you want to
figure it out or get a
revelation, not have someone shake their finger at
you and say now see?
<Spinner> yep
<Casey> Exactly, chip.
<Casey> Writing is and should be a reflection
of our current or past
societies.
<shorty103> so if I wanted to show someone that
they are not alone
within a situation that they might be experiencing
now, they can read
about one person way of getting out of it and it
might give them the
strength to get out of it for themselves.
<Spinner> this begins like it's a person who
intends to change 'the way
it is' then you drop two characters into it and make
me blink.
<Chipmonk> Interesting, Spinner. A
difficult trick.
<Chipmonk> That was in reference to your
description of your own story.
<Spinner> I do it a lot.
<Casey> Yes, Rose. Only, you do that by
simply telling the
protagonist's story. People will recognize
their own situation or
selves in that story if it's skillfully done.
And how the potag gets
out of their predicament can give someone else the
hope of improving
their own life situation.
<shorty103> yes, that point is becoming clear
to me
<Spinner> Exactly. there's no better way
to teach a lesson than with a
story.
<shorty103> yes, I am beginning to see that I
am making one mistake
after another, and I don't know what to do, I
feel I am getting further
away from the story I want to tell.
<Spinner> rose, start the story with the
story. it's probably down
there in your second or third paragraph.
<shorty103> okay, Spinner, I will look at the
hard copy that I've made
and see if I can capture that paragraph
<shorty103> with a rewrite
<Chipmonk> Wherever the action
starts.
<shorty103> okay
<Spinner> *grin* Rewrites, the writer's
bane and friend. definitely
cohort to editor.
<Chipmonk> Next?
<shorty103> well that seems I'm doing more
rewriting than writing, but I
don't mind if it brings me closer to the
end
<Chipmonk> That's a good start.
<Casey> Rewriting is where we learn the craft
of writing.
<Spinner> Pitch another one of mine up there
for the slaughter if you
haven't got more ready, Casey.
<Casey> They were brother and sister, maybe ten
and fourteen years old
respectively, lying shoulder-to-shoulder in the hay
cart. Neither was
conscious. The girl's face was swollen with
irregular purple blotches,
a symptom of the blue death that Yutrenta saw in
nightmares when she was
able to sleep at all. The boy's disease had not
progressed as far, but
with their father's eyes upon her, Yutrenta examined
the boy first.
Diplomacy, and thus credibility, might have to
sustain this family when
compassion failed.
<Russ> Shouldn't start so passive. Not a
good hook
<shorty103> yes, and I will keep on going until
I learn to do it right,
all most right, it will take as long as it take to
get to that point,
<coyote> i kinda like it , its a little
slow but there alot in there i
think
<coyote> underneath it so-to-speak
<Spinner> Pull the piece about nightmares out
of the middle and put it
at the front.
<Chipmonk> I started out thinking boringly
pastoral, then we get a yucky
disease. Cool.
<Casey> lol, Chip!
<Casey> Good suggestion, Spinner.
<shorty103> yes, it reminds of my own disease,
Lupus, but that is not as
bad as the one mentioned here
<Russ> How about combining the first two
sentences into one active one
<Casey> Spinner suggested putting the nightmare
sentence first.
<Russ> Do we need to know the ages right
off?
<Casey> That's not crucial information.
<Russ> Get rid of it then
<coyote> i think it helps establish that they
are younger
<Spinner> This needs rewording more than
anything else. it needs to
carry a stronger emotive punch. the nightmares
bit is sort of lost in
the middle and it's the sentence with real
impact.
<Chipmonk> I can't figure out how to put the
nightmare first, but how
about they were brother and sister. Neither was
conscious. Then the
nightmare sentence.
<Casey> Or, Neither brother nor sister were
conscious?
<Chipmonk> Just leave out the ages and the hay
cart.
<Russ> the brother and sister lay unconscios in
the back of the hay cart
<Casey> What I just wrote would do that.
<Casey> eliminate the ages and hay cart.
<Casey> Then go into the nightmares.
<Chipmonk> Yup.
<Spinner> Nightmares of blue death carried into
the day, the disease
called the blue death was far too real.
<Casey> Then you mention blue death twice,
Spinner.
<Casey> Nightmares carried into the day . . .
then the rest is better.
<Spinner> oops, changed the end of the sentence
and forgot I'd put it at
the front. Remember, I watch my fingers when I
type
<coyote> "uncouncious they lay in a hay
cart, brother and sister, there
faces marked by the blue death"???
<Chipmonk> Nightmares of swollen purple faces,
pain and fear carried
into the day.
<Russ> Yutrenta looked back at the blue
splotched face of his daughter.
The swollen face recalled all to real nightmares that
haunted his nights
<Russ> And his days
<Casey> Except that Yutrenta is a she and this
isn't her daughter, Russ.
<Russ> Oops, sorry <g>
<Spinner> i got she's a healer and helpless in
the situation.
<Casey> You're right, Spinner.
<Chipmonk> Yup.
<shorty103> brother and sister lay unconscious
in the hay cart, their
faces scared with the signs of blue
death.
<Russ> I just read too fast and miss things all
the time
<Chipmonk> I'm gonna have Black Death
flashbacks.
<Casey> Opps! sorry, Chip.
<Spinner> Two more children, brother and sister
, about ten and
fourteen, thae back of the cart held the dying
future.
<Casey> The gavel came down and it was
over. It had been a farce. A
bad dream. They'd kept thinking they'd wake
up. They'd kept thinking
someone would stop it. They'd kept thinking
their world would protest.
Perhaps it had. Or perhaps seven hundred nine
people were too few for
Madras to bother with. Seven hundred nine and
one trial and one
verdict. Guilty. Guilty of being in the
wrong place at the right time.
Guilty of being on a ship that had needed emergency
repair. Guilty of
asking for help. Guilty of asking the Yano to
aid them. The charge was
trespass. They hadn't even set foot on the
world until the armed guards
herded them into a shuttle, then transports and from
them into a cage.
<Casey> This is the gavel one that Spinner
mentioned earlier.
<Chipmonk> I like it except for
"they'd".
<Spinner> LOL! A top editor for Avon told
me to use the contraction to
give it more contemporary feel, Chip
<coyote> 2 groups you just cant trust are
aliens and governments
<Chipmonk> And humans, and squirrels, and
foxes, and...
<Casey> A choice between aliens and
governments, I think I'd have to
trust the aliens.
<Chipmonk> I don't like they had
either.
<coyote> yes i think the squirrels are the
worst, accept 4 the camels
<Spinner> the Yano aren't aliens. they're
humans and it's their world
<Chipmonk> Any way you could just make it
they?
<shorty103> I'm not sure what to think, you end
up getting from both
ends of that stick.
<Spinner> It's past tense.
<Chipmonk> I know, but it sounds better with
they. It's almost poetic.
<Casey> The pronouns that bother me are the two
"them's" in the last
sentence. The first refers to the prisoners,
the second to the
transports--and it's the second them that stops me
and makes me reread.
<coyote> even though they're human aren't they
still aliens to anyone
not of their world?
<Spinner> hmmm... it could be from those into a
cage.
<kissfan> ok that is why I have read it 5
times. I was wondering what
didn't make sense to me
<Casey> That would read better, Spinner.
<Spinner> hang on, let me see
something...
<Chipmonk> How about from there, into a
cage.
<Casey> As much as Frenchmen are alien to
Americans, coyote.
<coyote> ahh
<Chipmonk> undocumented aliens.
<shorty103> as they are here in Canada
too! Quebec wants to be a
country of it own, and that would not sit well with
the rest of Canada
<Casey> I see why she's using the plural
those. Transports is plural.
<Spinner> yep, old copy. sorry.
here.
<Spinner> vel came down and it was over.
It had been a farce. A bad
dream. They'd kept thinking they'd wake
up. They kept thinking someone
would stop it. They kept expecting their world
would protest. Perhaps
it had. Or perhaps seven hundred nine people
were too few for Madras to
bother with. Seven hundred nine and one trial
and one verdict. Guilty.
Guilty of being in the wrong place at the right
time. Guilty of being
on a ship that had needed emergency repair.
Guilty of asking for help.
Guilty of asking the Yano to aid them. The
charge was trespass. They
hadn't even set foot on the world until the armed
guards herded them
into a shuttle, then transports and from those into a
cage.
<Spinner> I suddenly realized there were more
they'ds in there than
there should be, but not till after I thought.
I think I changed that.
<coyote> I wanna live in canada
<Chipmonk> Sounds like Cubans in a leaky boat
being picked up by the
coast guard.
<Spinner> Very good, Chip
<coyote> thats pritty much my life story so
far
<Chipmonk> The second version sounds
better.
<Casey> Coyote, do you have an opening
paragraph you'd like to risk
here?
<Spinner> yeah, this is the one in the finished
book. :) the other was
a copy out of my files.
<Casey> See, you can't slide drafts past us!
<coyote> um ahh ... ; )
<Casey> We caught you.
<Chipmonk> Hee hee.
<shorty103> did I miss something here? I
feel like I lost part of the
conversation. I guess I'm not paying attention
again
<Spinner> heehee. I went back and looked
at the date and said "Oops!"
<Chipmonk> Go stand in the corner, Rose
.
<shorty103> okay!
<sigh>
<Casey> Just ask Kathy to make room for
you. I'm sure she'll be so
kind.
<Casey> Coyote, it's not mandatory. We've
already gone past our usual
ending time, but I'm not going to stop if people want
to continue.
<Spinner> Rose, this story is the one that
teaches a moral. It's about
prejudice.
<Chipmonk> I let Kathy out.
<coyote> well, I guess so , if its
ok?
<kissfan> HEHEE
<Casey> Sure!
<coyote> what do I do just copy the 1st para.
and paste it here?
<Casey> Yes.
<shorty103> okay Spinner, I just got lost in
the many voices that were
speaking and I thought I had missed
something
<Chipmonk> Okay you can come out.
<Casey> Odds are, you won't be able to read it
once it's pasted, but we
will be able to.
<shorty103> thank you Chip.
<Spinner> I can always read what I paste.
why can't anyone else?
<kissfan> so can I
<shorty103> I don't know how, so that is not a
problem at my end
<Chipmonk> I can to, usually. Maybe it
depends on the length?
<Casey> Sometimes I can (if I'm copying it from
my WP), most times I
can't if I'm transferring it from the chat screen.
<Spinner> Do you paste into the chat screen or
into your typing bar.
<Casey> Into the typing bar.
<Chipmonk> Owwwww woooowwww wwwwoooowww!
(Calling Coyote)
<Spinner> I paste into the typing bar and then
hit enter.
<kissfan> so do I
<coyote> A great dark sea of stone, underneath
a black sky of no stars,
an aparent void. As far as the eye could see this was
the landscape. The
ground jutted from the horizontal plane in every
direction, sharp
angular cliffs and canyons laced the earth. Here and
there were unusual
coral looking growths, some small some large. And if
one looked very
hard they
<coyote> would see a managerie of invertibrates
existing within and
among the rocks. Although the larger fauna would
usualy go about unseen
to most. To the untrained eye, a rocky desert of
perpetual night. But
this desert like most others was actually filled with
life. To the few
human beings that existed hidden in thier
laboratorys, this was a huge
zoo, teaming with life the likes of wich man kind has
never before
known.
<Chipmonk> Not a place I'd want to visit,
Coyote.
<coyote> hehe good
<Chipmonk> Intimidating landscape.
<kissfan> yes very
<Chipmonk> Discordant as in music.
<Casey> I wondered about the invertibrates
existing within and among the
rocks. Are some of those fossils?
<coyote> whats discordant???
<Chipmonk> Discordant as in things jutting out
all over.
<coyote> ok cool
<Spinner> missing commas make it read without
emotive pauses.
<Chipmonk> I think you could shorten up onsome
of the sentences.
<Casey> I would omit "But this desert like
most others was actually
filled with life" since the next sentence says
the same thing with more
punch.
<coyote> yes i have a run on
problem
<Spinner> Try it this way, Coyote dis
chord ant.
<coyote> right : )
<Chipmonk> I'd take out huge zoo too, since zoo
implies captured and
controlled.
<coyote> ahh but they are
<Casey> To the few humans hidden in their
laboratories, this was a zoo
teaming with life, the likes of which few had seen.
<Chipmonk> Oh it is a zoo, or seems like a
zoo?
<coyote> well its a zoo pritty much, an
artificial recreation of thier
natural environ
<Spinner> In general, one wouldn't start with a
description, but this
one is odd enough to keep one reading.
<Chipmonk> How about...For the few humans,
then?
<Spinner> Oh, beneath, not
underneath.
<Spinner> Or below, instead
<Chipmonk> and few others had seen. The
scientists have seen it I
suspect--lots.
<Spinner> huh, uh, chip. to is the
appropriate.
<Chipmonk> No, I'm gonna have blue blotchy
nightmares!
<Casey> You're going to have a variety of
interesting nightmares
tonight, Chip.
<Spinner> LOL
<Chipmonk> Yep.
<shorty103> so this is very interesting, I just
wish I know more about
editing and such, I'm not being very much help
here
<Chipmonk> Well, watch then and
learn.
<shorty103> I am
<coyote> you guys ever see tim burtons ' mars
atacks'?
<Spinner> heehee, my chacter is going to be
sealed in a pit in the heart
of a mountin with a fungus that makes oxygen and
gives off light his
only company
<Spinner> Yes.
<Casey> No
<shorty103> no
<coyote> its on tv, pirtty neat movie, pritty
wierd
<Chipmonk> Yes. We come in peace, you end
up in pieces.
<shorty103> lol chip
<Casey> he he!
<Chipmonk> Fungus is pretty boring
company.
<coyote> at at yat at (thats how they
talk"
<Spinner> Yep, that's the one, Chip. It
was MADE to be bad. and it's
good bad.
<coyote> but fungus that give off oxygen and
light is neat
<Chipmonk> Yep, I enjoyed it. Especially
Jack Nicholson and the granny.
<Spinner> the talking heads cliche is...
something. I'm not sure what,
but i crack up every time she wags her
tail.
<coyote> i like jack N he's cool
<coyote> ever see the shinning?
<Spinner> Nope.
<Chipmonk> He was the only good part in
that.
<coyote> oooh its scaaarryyy
<Chipmonk> Are we done critting?
<Spinner> you want to throw up my last one as a
very different action
feel?
<Casey> Sure. One sec.
<Chipmonk> No! Casey, don't throw
up!
<Casey> Life had suddenly gotten
complicated. Survival was no longer
probable. He needed to think and move fast and
all he could think about
was how much moving hurt. He didn't know where
he was, but he knew
where he was. He was deep in the Starscrape
mountains and summer would
be gone before he could find a way through
them. He rolled over and
looked at the sky. It was a few seconds before
he could see anything
else. He had to lift his head and that took
strength. He had to build
it first.
<Spinner> I thought about that when I looked at
it Chip.
<Casey> That post is as much throwing up as I'm
going to do tonight.
<coyote> hehe, throwup
<coyote> thats funny
<Casey> (Which is not a reflection on the work
itself!!)
<Spinner> We spent quite awhile discussing
barfing last night in Rebel
Writers, coyote.
<Chipmonk> Lol!
<coyote> hey i really like this one
<Casey> Is he building his head in the last
sentence?
<coyote> i wrote a rather similar action intro
a while back
<Chipmonk> No strength.
<Casey> Ahhh! Somehow that went
completely over my head.
<Chipmonk> I like the Starscrape
Mountains.
<shorty103> I can see by tonight discussion, I
have a long way to go
within my own writing
<Chipmonk> Good name. Very
visual.
<Spinner> thanks, the other mountain chain on
the world is the
Skyfingers.
<Chipmonk> That's good too.
<Casey> I like that, too.
<Chipmonk> Very pointy.
<Chipmonk> Unlike the Grand Tetons.
<Spinner> this is a first draft with no
revision so far. the piece is
titled Steel blade.
<coyote> its not unusual to be loved by
anyone
<Chipmonk> He didn't know where he was, but he
knew where he was? Am I
seeing that right?
<coyote> i like the title
<Spinner> exactly.
<coyote> he knew he was in the mountains but
not where in the mountains
<Casey> I was just rereading that myself.
<shorty103> now are you trying to sing, your
way off key! coyote
<coyote> hehe
<Spinner> It's intended to give the 'lost in
this place' feel.
<coyote> i feel like that in day to day
life
<shorty103> I'm lost in real time, the heck
with imaginary time. LOL
<Spinner> ever gotten lost in a big city?
You know you're in the city,
but not where?
<Casey> Heck, I've even gotten lost in a small
city.
<coyote> hey what happened to him?
<shorty103> yes, more so when you have to think
if your going East,
West, North or South within a city
<Casey> I think Spinner's hooked someone!
<Spinner> It takes him three years to get home,
three chapters
<shorty103> Wow! spinner, that's a long time,
but when you really look
at it, it's not that long.
<Spinner> His name is Harmon Vanity and it all
began with a debate title
he won.
<coyote> ahh, but why is he hurt?
<Casey> Is the last name significant?
<Spinner> someone wasn't happy he won
it.
<shorty103> Casey, How do tame a wild kitten
that's into everything.
<coyote> ooo i like
<shorty103> Midnight is trying to get my
attention, but it's not working
that well
<coyote> me too shorty
<Spinner> In some ways yes. he's an upper
middle class college student
and he's going to have to prove the premise of the
debate to survive.
<Casey> I don't think you need to tame the
kitten as much as discipline
it.
<Chipmonk> That's intriguing.
<coyote> i once had a kitten
<Chipmonk> Get a water pistol.
<Chipmonk> What was the debate.
<Spinner> Yep. a water pistol is the
great cat training aid.
<coyote> but I've heard that too (water
pistol)
<Spinner> what is the single most valuable item
a trooper fighting on
another world should carry. he said a steel
blade.
<Casey> Ahhh. Good one, Spinner.
<coyote> thats good
<Chipmonk> That's interesting.
<Spinner> Start a fire, make a spear, build a
shelter, skin and gut an
animal.
<Casey> So they dropped him in the middle of
nowhere with only a steel
blade.
<coyote> i think some oxigen producing fungus
would be a close runner up
<Spinner> Shoved up his ass, but at least it
was in a sheathe.
<Casey> lol, coyote.
<coyote> ; )
<coyote> that might chafe
<Spinner> he laughed at himself for wishing it
was bigger, considering
where it had been.
<Chipmonk> Lol!
<coyote> haha
<Chipmonk> 101 uses for a steel
blade.
<coyote> but hair shaving
<Spinner> you'll find a lot of 'figure out how
it could be done with the
tools at hand' in my books.
<Chipmonk> Toilet paper is not one of
them.
<Spinner> LOL
<coyote> i like that spinner
<Chipmonk> yes.
<Chipmonk> Guess what!
<coyote> what!!!
<Casey> What?
<Chipmonk> I sent out a query
letter!!!
<Spinner> in one of them, i designed a wagon
that unfolds into a theater
with seating for sixty.
<Casey> Yay!
<coyote> whats that????? im dumb
sorry
<Casey> Hard on the wheels, isn't it, spinner?
<Chipmonk> With lots of changes to the one you
saw, Spinner.
<Spinner> interesting query letter. Hope
it gets her the response it
should.
<Spinner> i figured you'd do a couple more
rewrites.
<Chipmonk> They had an exact formula for what
they wanted which is
unusual.
<coyote> hey whats a querry
letter???
<Spinner> Query is qestion. the question
is, want to see my manuscript,
so it has to be descried in interesting
fashion.
<coyote> ahh, how does this go out? thru icq?
email?
<Chipmonk> What you write to publishers and
agents to ask if they want
to see your work.
<Spinner> It's pulled by six big horses,
basically Clydesdales.
<Casey> Normally, through snail mail.
<coyote> ok i get it, thanks!
<Chipmonk> Uh, how is it sent out? It's
pulled by six big horses.
<Chipmonk> This query was sent email and they
already confirmed receipt
which is nice.
<Spinner> i've got a group of books that read
more like fantasy than
science fiction, but the premise is each world is a
part of an
experiment conducted by aliens on humans. they
don't remember they came
from here and each has some imposed limit on
technology.
<coyote> that sounds cool spin
<Spinner> i'm having fun with it.
<Spinner> the first should be done
soon.
<Casey> Let us know when they reply,
Chip.
<Spinner> Sailing ships and nuclear physics
studied by candlelight in
this one.
<shorty103> Wow!
<Spinner> Lots of fun playing with the
geography and currents of the
oceans.
<Spinner> definitely, Chip.
<Casey> interesting contrast: candlelight
and nuclear physics.
<Spinner> this is the only one the humans know
they came from earth. it
sets up the circumstances for the rest.
<coyote> that's the only way any descent
nuclear physicist studies, not
too many people know that
<Chipmonk> I will most likely get
rejected. They only take about 1% of
submissions, but it was such a helpful site.
I'll post it on the
message board.
<Spinner> they're beginning to adapt out of the
'mental chains' and one
sees they're there.
<shorty103> good luck chip
<coyote> how are the restraints implemented on
these people?
<Spinner> it's a device. it holds them to
a policy of
non-industrialization on the world.
<coyote> a physical device or like a social
device?
<Spinner> but they figure out how it's being
powered. they're on their
way to drain a lake.
<Spinner> a physical device.
<coyote> thats very groovy spinner
<coyote> shagadelic baby
<Chipmonk> Do you like puzzles,
Spinner?
<Spinner> Mental puzzles, yes.
<Chipmonk> It shows. sounds like you have
fun figuring out the puzzles
you create for your characters.
<coyote> excellent observation
<Spinner> several of my books are about 250,000
and Paradox is 1.14
million, rose, but it's divided into ten
books.
<shorty103> okay, that would be one big book if
it wasn't
<Spinner> Heehee, i've printed it out and bound
it as one before.
<Chipmonk> Our own James Mitchener.
<shorty103> I hope you had strong arms for that
one spinner
<Spinner> It's about the size of the Oxford
dictionary
<coyote> how does it feel to know you created
something like that?
<Spinner> Actually, my books are REALLY
fast-paced, they just have...
big plots.
<Chipmonk> Speaking of dictionaries there's a
new international English
dictionary out.
<coyote> its a tool for mind
control
<Spinner> that's an interesting idea,
Chip.
<Casey> Does that mean that British and
Australian English are
incorporated with American English?
<Chipmonk> It would help us understand Sea
Witch!
<Chipmonk> Yes including
colloquialisms.
<shorty103> how is sea witch these
days
<Casey> As blood-thirsty and violent as ever.
<Casey> (i.e., she's doing well)
<Chipmonk> Yup!
<shorty103> okay, thought I'd ask
<Spinner> she's the one who got us on the
subject of throwing up last
night.
<Chipmonk> And still eating srummie bickies and
Bounty bars.
<shorty103> Oh no!, but it does sound like
her
<coyote> ahh the old puke
conversation
<Casey> She's cut back on the scrummie
biccies. She's on a diet.
<Chipmonk> Are we all about cabbaged?
<crip> pardon my ignorance but what's a query
letter?
<Casey> An inquiry to a publisher, laying out a
story idea and asking if
they'd be interested in reading it.
<crip> ahhh i see
<Chipmonk> http://www.litopia.com/
<Chipmonk> He has some good advice for writers
on his site.
--------------------------------------